BOOK AND PODCAST REVIEWS - FICTION

The Sandman: The Dream Country (Volume 3) (1990) American Gods (2001) Interworld (2007) - With Michael Reaves Neil Gaiman The Dream Country is third volume of the acclaimed The Sandman series but is stand-alone. This edition also contains the original script for the first of its four stories, Calliope, which might be of interest to students of illustration. Much of The Dream Country has been translated to film very effectively as part of a Sandman TV series shown on Netflix. If we are to be honest here, Neil Gaiman was engaged in a project to bring Tales from the Cryp t up the literary and artistic food chain. There is no doubt that he succeeds admirably in his task, aided by a series of excellent illustrators, but the stories, with the exception of his re-thinking of the origins of Shakespeare's 'Midsummer Night's Dream', are not complex - poetic and suggestive perhaps but not complex. The first story, Calliop e, tells of a writer's abuse of an incar

Salem's Lot (1975)   The Stand (1990 Revision of 1978 Edition) Night Shift (2008 collection of stories from the 1970s) Stephen King     Song of Kali (1985) Carrion Comfort (1989) Dan Simmons    Supping with Panthers (1996) Deliver Us From Evil (1997) Tom Holland Salem's Lot was Stephen King's second novel. It has the feel of a man who wants to make his mark with a best seller. What he does is to take Bram Stoker's 'Dracula', rethink it from top to bottom and position it within contemporary (1975) American culture. In the edition I have (2006) this is made clear in a useful short Afterword where King (still in his twenties when he wrote the book) also refers back to his childhood reading of EC comics. The book is replete with references to the horror canon from Poe-like cellars to graveyard whippoorwills. He seems to have two alter agos in the book which recur throughout his career in a sort of dialectic: Ben Mears, the writer, and Mark Petrie, a young

Nethescurial/The Mystics of Muelenberg from Grimscribe: His Lives and Works (1991) My Work Is Not Yet Done (2002) Teatro Grottesco (2006) The Conspiracy Against The Human Race (2011) This review is essentially about the later Ligotti of the current century. We hope to return to the earlier Ligotti in a later review but we can set the scene with just two stories from his second major collection Grimscribe: His Lives and Works (1991). Nethescurial , for example, appears to be a very obvious homage to Lovecraft almost to the point of pastiche in terms of structure and mood although it is clearly very much a Ligotti production. It is as if Ligotti decided to see how he could take as many Lovecraftian tropes about ancient cultic lore and the dark occult, refine them to their basics and come up with a definitive layered narrative oozing unease rather than outright horror. Ligotti is at his best not in trying to present something visceral, disgusting or terrible but in presenting som

The Mask of Cthulhu (1939-1957 coll. 1958)  The Trail of Cthulhu (1944-1951) August Derleth.   The Taint and Other Novellas (1971-1983 coll. 2008)   Necroscope (1986) Necroscope II: Vamphyri (1988) Brian Lumley August Derleth saw himself as H.P. Lovecraft's natural heir, weaving his stories into the Cthulhu Mythos and incorporating the 'dreadful events in Innsmouth' and other incidents from the original corpus. He will suggest, in a fit of in-joke paranoia, that Lovecraft and others died young because they knew too much - a nice little conceit. He has been much and rightly criticised on two grounds - for being derivative (and even thieving and manipulating Lovecraft's unpublished drafts for his own purposes) but, more seriously, for attenuating the raw cosmic horror of the original (as if he had failed to understand its essential bleakness). Both accusations have merit. He constructed a mythological fantasy of good and evil much closer to religious tradition a