BOOK AND PODCAST REVIEWS - FICTION

The Black Spider (1842) Jeremias Gotthelf I have a general rule that, once I have started to read a book, I must continue with it to the end before I can claim the right to comment on it. In the case of The Black Spider , I was beginning to get depressed by page 20 of this classic early nineteenth century Swiss horror novella. One fifth of the tale gone and I had been treated to a lengthy, rather dull and wholesome account of a christening feast for the child of a prosperous Swiss peasant in the first half of the nineteenth century. But Gotthelf knows what he is doing. He has set the reader up for a multi-layered morality tale that loosely bases itself on pre-modern folk interpretations of the causes of the plague. He weaves, from the security of the first section, a genuinely horrific and disturbing tale of a demonic black spider that punishes all those who have defied God and who have tried to short-circuit authority with an appeal to the Devil. The spider, a truly nasty

The Alchemist (1908) The Cats of Ulthar (1920) H P Lovecraft Cthulhu's Reign (2010) Editor, Darrell Schweitzer The Lovecraft Anthology: Volume I (2011) Editor, Dan Lockwood   The Black Wings of Cthulhu (2012) Editor: S. T Joshi   I Am Providence: The Life and Times of H P  Lovecraft (2013 Edition) S T Joshi At some stage, we should review all of Lovecraft's stories but we mention two only to start the ball rolling, the first only to dispose of it as juvenilia. The Alchemist must be regarded as o ne of Lovecraft's weakest stories but then he was only 17 or 18 and it was his first. The basic story line is fairly trite (which we will not repeat for the sake of spoilers although it is barely worth the effort). However, Lovecraft is good at absorbing Gothick memes and replaying them effectively. In other words the story is worth reading for its 'atmosphere' as an antiquarian throw-back to the world of 'The Castle of Otranto' or of Ann Radcliffe over a cen

The Lady of the Shroud (1909) Bram Stoker  Midnight Tales  Bram Stoker (Ed. Peter Haining, 1992)   Who Is Dracula's Father? And Other Puzzles in Bram Stoker's Gothic Masterpiece (2017) Jon Sutherland Dracula (1897) is a seminal cultural text - brilliantly written. There is little more to say other than to advise that you read it and enjoy its dark pleasures - but what of the later Bram Stoker? The Lady of the Shroud (1909) is a truly dreadful book in so many ways - theatrical, sentimental, nonsensical, militaristic, imperialist, patronising (to women and to the peoples of the Balkans) and often leaden. Beyond being one for Bram Stoker completists - and the early failed promise of creepy thrills - it is nothing but a fraud designed to inveigle the reader of the 1900s into a conservative political tract. So why bother reading it? Two reasons make this worth it (although only for the dedicated): the psychological insight into the fantasy world of an aging Edwardian male;

The Sandman: The Dream Country (Volume 3) (1990) American Gods (2001) Interworld (2007) - With Michael Reaves Neil Gaiman The Dream Country is third volume of the acclaimed The Sandman series but is stand-alone. This edition also contains the original script for the first of its four stories, Calliope, which might be of interest to students of illustration. Much of The Dream Country has been translated to film very effectively as part of a Sandman TV series shown on Netflix. If we are to be honest here, Neil Gaiman was engaged in a project to bring Tales from the Cryp t up the literary and artistic food chain. There is no doubt that he succeeds admirably in his task, aided by a series of excellent illustrators, but the stories, with the exception of his re-thinking of the origins of Shakespeare's 'Midsummer Night's Dream', are not complex - poetic and suggestive perhaps but not complex. The first story, Calliop e, tells of a writer's abuse of an incar

The Penguin Book of Horror Stories (1984)   Editor: J. A . Cuddon   Redshift: Extreme Visions of Speculative Fiction (2001) Editor: Al Sarrantonio   The Mammoth Book of Best Short SF Novels (2007) Editor:  Gardner Dozois The Penguin Book of Horror Stories has some gems and a certain breadth but it suffers from a weak almost nerdy academic introduction filled with fact but weak on interpretation. It is a Wikipedia article before its time. The definition of horror is very wide. The brutal realism of Prosper Merimee's primitive and vengeful Mateo Falcone (a story that disturbed me as a child and disturbs me today) sits alongside a pulp tale of derring-do (the oft-anthologised Leiningen Versus The Ants ) and a sardonic and satirical horror tale like Robert Graves' Earth to Earth . But yet there is little true cosmic horror - no H P Lovecraft or Arthur Machen. What are the best stories in an average collection? Apart from decent works by Hogg, Merimee (see above), Poe, H

Salem's Lot (1975)   The Stand (1990 Revision of 1978 Edition) Night Shift (2008 collection of stories from the 1970s) Stephen King     Song of Kali (1985) Carrion Comfort (1989) Dan Simmons    Supping with Panthers (1996) Deliver Us From Evil (1997) Tom Holland Salem's Lot was Stephen King's second novel. It has the feel of a man who wants to make his mark with a best seller. What he does is to take Bram Stoker's 'Dracula', rethink it from top to bottom and position it within contemporary (1975) American culture. In the edition I have (2006) this is made clear in a useful short Afterword where King (still in his twenties when he wrote the book) also refers back to his childhood reading of EC comics. The book is replete with references to the horror canon from Poe-like cellars to graveyard whippoorwills. He seems to have two alter agos in the book which recur throughout his career in a sort of dialectic: Ben Mears, the writer, and Mark Petrie, a young

Nethescurial/The Mystics of Muelenberg from Grimscribe: His Lives and Works (1991) My Work Is Not Yet Done (2002) Teatro Grottesco (2006) The Conspiracy Against The Human Race (2011) This review is essentially about the later Ligotti of the current century. We hope to return to the earlier Ligotti in a later review but we can set the scene with just two stories from his second major collection Grimscribe: His Lives and Works (1991). Nethescurial , for example, appears to be a very obvious homage to Lovecraft almost to the point of pastiche in terms of structure and mood although it is clearly very much a Ligotti production. It is as if Ligotti decided to see how he could take as many Lovecraftian tropes about ancient cultic lore and the dark occult, refine them to their basics and come up with a definitive layered narrative oozing unease rather than outright horror. Ligotti is at his best not in trying to present something visceral, disgusting or terrible but in presenting som