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Showing posts with the label Popular Fiction

On Bram Stoker (1847-1912)

The Lady of the Shroud (1909) Bram Stoker  Midnight Tales  Bram Stoker (Ed. Peter Haining, 1992)   Who Is Dracula's Father? And Other Puzzles in Bram Stoker's Gothic Masterpiece (2017) Jon Sutherland Dracula (1897) is a seminal cultural text - brilliantly written. There is little more to say other than to advise that you read it and enjoy its dark pleasures - but what of the later Bram Stoker? The Lady of the Shroud (1909) is a truly dreadful book in so many ways - theatrical, sentimental, nonsensical, militaristic, imperialist, patronising (to women and to the peoples of the Balkans) and often leaden. Beyond being one for Bram Stoker completists - and the early failed promise of creepy thrills - it is nothing but a fraud designed to inveigle the reader of the 1900s into a conservative political tract. So why bother reading it? Two reasons make this worth it (although only for the dedicated): the psychological insight into the fantasy world of an aging Edwardian male;

Popular British Horror, Science Fiction and Fantasy At The Beginning of the Twenty First Century

A Colder War (2000) The Atrocity Archives (Laundry Files, #1) (2004) The Jennifer Morgue (Laundry Files #2) (2006)   Halting State (Halting State #1) (2007)   Charles Stross   Keeping It Real (Quantum Gravity #1) (2006)   Justina Robson   The Devil You Know (Felix Castor, #1) (2006) Vicious Circle (Felix Castor #2) (2006) Dead Men's Boots (Felix Castor #3) (2007)  God Save The Queen (Graphic Novel: The Sandman Presents #32) (2008) Thicker Than Water (Felix Castor #4) (2009) The Naming of the Beasts (Felix Castor #5) (2009)  Mike Carey   The Execution Channel (2007) Ken Macleod  The Red Men (2008) Matthew De Abaitua  The Bastion Prosecutor (Kalahari #2) (2009) A. J Marshall The mid-2000s were quite a good period for British popular fantasy-horror-science fiction genre writing. These books should not be neglected simply because time passes. What is curious is how a sex demon appears in two of them (and elven eroticism in a third) which is either coincidence in the ca