BOOK AND PODCAST REVIEWS - FICTION

The Supernatural and English Fiction (1995) Glen Cavaliero Cavaliero's book is an occasionally academic and dry but very useful review of what he chooses to define variously as the supernatural, the paranormal and the preternatural in English fiction. Like the donnish figure that he is, he implicitly privileges the supernatural as the numinous in literature over the attempts (as he seems to see it) of those who want to give you a good jolt or who see magic as just undiscovered science - but it has to be said that his own use of language is hardly inspiring when he moves beyond his judgements on particular authors to a consideration of theory. This is what they might call a solid performance. There is serious value to be gained from it - if only the introduction of new names to the non-specialist in literary studies. He has made me want to read Charles Williams. He brings out of the closet a number of women authors like Phyllis Paul who have been long and probably (on hi

The Black Spider (1842) Jeremias Gotthelf I have a general rule that, once I have started to read a book, I must continue with it to the end before I can claim the right to comment on it. In the case of The Black Spider , I was beginning to get depressed by page 20 of this classic early nineteenth century Swiss horror novella. One fifth of the tale gone and I had been treated to a lengthy, rather dull and wholesome account of a christening feast for the child of a prosperous Swiss peasant in the first half of the nineteenth century. But Gotthelf knows what he is doing. He has set the reader up for a multi-layered morality tale that loosely bases itself on pre-modern folk interpretations of the causes of the plague. He weaves, from the security of the first section, a genuinely horrific and disturbing tale of a demonic black spider that punishes all those who have defied God and who have tried to short-circuit authority with an appeal to the Devil. The spider, a truly nasty

The Black Dahlia (1987) (L.A. Quartet #1) James Ellroy   Devil in A Blue Dress (1990) (Easy Rawlins #1) Walter Mosley   Out of Sight (1996) (Jack Foley #1) Elmore Leonard    There is a great book and a not-so-great book in Ellroy's The Black Dahlia . In fact, it seems like two successive books - the first is an atmospheric but realistic police procedural bringing to life the Los Angeles of the late 1940s and the second is a piece of 'grand guignol' in which sexual obsession and the noir morals of James M. Cain's characters surge their way through a plot out of Raymond Chandler with a dash of Hammett's political cynicism.  We will come across the legacy of Chandler again in Mosley's Devil in a Blue Dress . It certainly cannot be said that the two 'books' merge perfectly seamlessly. The use of period slang at the start can confuse rather than enlighten so that we have to contend with some linguistic confusion as well as the plot confusion essentia

Kraken (2010) China Mieville We are definitely not into spoilers so it is hard to go too far into the story of this dark fantasy on a scientific theme. A preserved and valuable giant squid disappears from the Darwin Centre at the Natural History Musum and one of its staff, Billy Harrow, discovers a world of cults and magic that threaten apocalypse. So far, so very obviously dark fantasy, but China Mieville adds, with Kraken , a major work to a genre that owes a great deal to the psychogeographical cult of London as the world's most magical city. Its fault is that of all modern creative fantasy - far too many ideas for a basic story line that could be culled from any urban thriller. Although resolved satisfactorily, there are moments when you feel that greatness has eluded Mieville because of an inability to develop fewer ideas in more depth. In the end, despite hints of something deeper, and some remarkable invention and (in places), yes, ideas, it ends up being an ente